Movies, Telly, geekNovember 16, 2008 11:41 am

TV
- Looks like Pushing Daisies has been cancelled. TVgasm reports ABC has decided not to produce anymore eps of the series.
- David Tennant is leaving Dr. Who soon. Digital Spy gives its suggestions for the 11th Doctor. I could see Chiwetel Ejiofor, but Dexter Fletcher? Really?
- LOST is back on US stations on January 21st. Which means we’ll probably get it on Network 2 the week after.
- Wired has word that part 2 of season 4 of BSG will be streamed on scifi.com on April 4 and then broadcast that night.
- And finally in the Whedonverse ‘Dollhouse’ is set to premiere on Fox on Feb 13. Why does Joss always go with Fox? They seem to have a pretty toxic relationship.

Movies
- New (bootlegged) trailer for JJ Abrams ‘Star Trek ‘ is up here. Lets hope he’s left the screaming cellos at home for this one.
- First (proper) trailer for Watchmen now on Wired.
- Neil Gaiman’s ‘Coraline‘ is due for Feb 2009.

MoviesJuly 17, 2008 11:49 pm

When I was a kid certain things on telly freaked me out. The Daleks were watched from behind the sofa of course, Roald Dahls’ Tales of the Unexpected which I loved but then ended up having nightmares about (Jeremy Irons killing his wife in the bathtub and putting her body into plastic bags and burying it in the back garden anyone?) Wanderly Wagon also had its moments - Sneaky Snake was just so damn sneaky and oh god those googly, plastic eyes of his. Mesmerising.
But the show that probably freaked me out the most was ‘Monkey’. Remember that? The Monkey King flying about on that pink cloud, Pigsey with his snorting laughter and that snout, Sandy doing, er, whatever it was that he did. Ugly, ugly characters. Freaky. And lets not forget Tripitaka who was possibly the most beautiful man I had ever seen. Played by a woman, but he\she was a monk. Between that and the effeminate nose\chin combo of Zoltar from Battle of the Planets it was confusing for an 8 year old, all those mixed genders on childrens telly how did I -or anyone- grow up straight in the 80s? Actually I take that back, thinking of the puffball skirts, big hair and pastel colours I think we were all a little bit gay. (Seriously though was Zoltar a man or a woman? I still don’t know, but gawd I envied their perfect nose and lips.)
Which brings me - in my usual tangenital way - to ‘The Forbidden Kingdom’. Billed as the first movie starring Jet Li AND Jackie Chan it tells the tale of a boy who finds himself transported to the Middle Kingdom by the magical staff of the Monkey King. So here we go again, more tales of the trickster Monkey - this time played by Jet Li who appeared to be channelling Masaaki Sakai in the role. What follows is a by the numbers Quest Tale, complete with flashbacks and ‘Montage! Every shot you show a little improvement ‘ sequences. Its fun in a mindless way, lots of chop-socky kung-fu, full-face Li\Chan action (no stunt doubles here) girl-on-girl action (I mean fight scenes you pervs) and nods to every kung-fu movie ever made I think. The only jarring parts of the movie are the sequences in ‘modern time’. Michael Angarano is fine as the ‘hong-kong phooey mad’ kid, but the ‘bullies’ dress like they’ve stepped out of 1984, speak like 1950s street hoods and carry guns. Myself and Priscilla expected them to break into a performance of ’sharks vs jets’ a couple of times. The references to Karate Kid were funny the first couple of times, but got a bit cringy by the end. Overall its alright, there’s a few laughs, some good action sequences and stunning locations. The plot itself gives us nothing new although as Priscilla said ‘its a lot more coherent than bleddy Hanc0ck’.

Forbidden Kingdom gets a Buddha Palm to the chest and the Monkey King still freaks me out a little.

Movies, complaints deptJuly 14, 2008 5:56 pm

Look up in the sky!
Is it a comedy?
Is it an action-thriller?
Is it a vaguely art-house-style drama?

No, It’s HanCOCK.

Priscilla and I went to a preview showing last week, I got stuck sitting beside a couple of stoned, stinking crusties who giggled and threw popcorn at each other throughout the entire film. Not just one or two pieces of popcorn, this was handfuls of the stuff being flung interspersed with pouring Coke over each others head. Mind, the drink probably only helped to wash their filthy bodies. She had a habit of pulling her dreads into a pony on top of her head and every time her arms were raised higher than waist level I was overcome with stench and almost passed out. This of course put me in great humour and the occasional barks of ’shut the FUCK UP!’ were laughed at and roundly ignored.

Apparently a lot of the movie was left on the cutting-room floor and it shows. There are obvious holes where something appears to have been explained in a previous scene so that things just happen that make no sense. For instance the ‘reveal’ of the bad guy was done in such a way that the audience was (I think) supposed to share an ‘OHMAGAWD’ moment. However since we had never SEEN the bad guy till that moment the impact was less than impressive.

Jason Bateman who has spent the last few years re-building his career with his work in Arrested Development and Juno is woefully wasted here as ‘nice-guy Ray’. Will Smith has a couple of good moments (ok, I laughed when he picked up the two frying pans) but spends the movie phoning it in. Charlize has transformed herself into ‘generic hollywood blonde #3785′ and gives the flattest performance of her life.

The movie veers from cartoon violence to ill-fitting soft-focus ’small moments’ in the characters lives - where nothing much happens but we are supposed to feel that this is ‘NOT JUST AN ACTION MOVIE - ITS DEEPER THAN THAT, YO!’ By the end of it you are tired of the heroics, the jokes and the ultra-slo-mo ‘grief’ of the characters. The plot has unravelled to the point where they really should have scrapped it and started over, the characters have become hateful, even the soundtrack shares the films’ multiple personality disorder and is more ‘epileptic’ than ‘eclectic’.

Maybe I should have taken a leaf out of the crusties joint and gotten stoned along with them. THEY didn’t seem to be having the same problems with the movie that I had -then again given their behaviour I don’t think they even knew they were in a cinema.

Hancock gets one big stinkin thumb down.

Movies, CulchaJuly 3, 2008 9:08 pm

You probably thought I had forgotten all about this place right? Wrong, I just haven’t had much to say about anything lately. Anyway, here are a few movie reviews…

The Incredible Hulk

I haven’t seen the Ang Lee version so wasn’t able to compare, but the opening shot of Ed Norton was enough to keep me happy. Entertaining without being cheesy, a plot that didn’t insult the audience - a couple of nods to the TV show and some pretty cool Hulk SMASH moments.
but seriously… Ed Norton in the opening scene, in the words of the Kool-Aid jug ‘ohhh yeahhhhh…..’

Wanted
This one annoyed me so much I can’t be bothered on expanding any of the points below:
Morgan Freeman only plays one role now.
McAvoy doesn’t (and shouldn’t) do yanqui accents.
I wonder what kind of roles Angie will get when her tits start going south?
Guns don’t kill people, trains do.
All the best bits are in the trailer.

Gone Baby, Gone
Ben Affleck should stay behind the camera. His strengths are obviously in writing (screenplay) and directing. Much, much better than I expected it to be. Could be an Oscar contender, although its release date in the middle of the year might put the kibosh on its chances if people forget about it before next Feb.


AdULTHOOD

Priscilla has a habit of bringing me to mucky movies. When we went to see ‘Flashbacks of a Fool’ his first comment as we exited the theatre was ‘Damn, I thought there would be more sex in it.’ He’s off the booze at the moment so I guess he has to get his thrills somewhere. I gave him a dead arm for that one, but at least when he suggested AdULTHOOD I had a vague idea of what I was letting myself in for.
I hadn’t seen kidULTHOOD so Pris gave me the short version of the plot as we chomped popcorn waiting for the movie to start. Priscilla is pretty shit at explaining things clearly so I was even more confused when he was finished.
‘There’s these two girls and one of them kills herself and it all takes place over two days. And the boys just spend the time taking coke and one of the girls finds out she is pregnant and then this guy kills the father at the end - and he’s the one that this movie is about.’
It was about this point I became blonde.
‘The father?’
‘No, the other guy.’
‘The dead guy?’
‘NOT the father of the girl’
‘Which girl? the dead one?’
‘No, the girl who is pregnant.’
‘Why would he kill her father?
‘He didn’t.’
‘You said he killed her father.’
‘No he killed the father of her baby.’
‘Which baby?’
‘The babe with the power’
‘What power?’
‘The power of voodoo’
‘Who do?’
‘You do’
‘Do what?’
‘Remind me of the babe’

Set 6 years after kidULTHOOD, AdULTHOOD takes place over a single day. Sam (Noel Clarke - ‘Mickey’ in Dr Who) has just been released from jail having served his time for killing Trife (that’d be the baby’s father) and despite the signs of remorse it doesn’t take long before things take a familiar pattern.
Clarke wrote, directed and stars in the movie - which makes you kind of want to hate him, but the boy has got TALENT and you’ve got to respect that. This is a gritty portrayal of urban London made all the more relevant at a time when kids are dying on the streets for stupid reasons. AdULTHOOD doesn’t glamorise the life, nor does it try to give a reason for it. Some scenes are difficult to watch and the conclusion doesn’t end with a ‘happily ever after’ but it does end, and sometimes thats enough.

Movies, Bewks, geekFebruary 23, 2008 1:02 pm

In 3-D!
Next year!


This is the youtube video, but if you’ve got divx, Neil has a high-res version on his site.

MoviesJanuary 2, 2008 9:31 pm

Possible spoilers ahead

‘Jesus, that looks atrocious’ the Barfly grunted as Nic Cage towered above us on the screen spouting some jingositic shite while hanging off the edge of Mount Rushmore.
‘Well however bad ‘I am Legend’ is it can’t be as bad as that one looks.’
‘How the hell did they manage to get funding for a sequel anyway? I didn’t think the first one did much business?’
‘At least we’ll have Vampire-Zombies’
‘Have you even READ the book?’
‘I’m not sure about this’ mumbled the Philosopher. ‘Maybe we should have gone to see something else.’
‘Like?’
‘Umm…Enchanted?’ he suggested and then recoiled from our combined Stare of Death.
‘Can you imagine the three of us going to see Enchanted?’ I snorted.
‘Its supposed to be good… ‘ was his weak rejoinder.
‘No more speaking from you!’
‘How long have the ads and trailers been on now?’
‘Feels like an hour at least.’
‘Jesus, can you imagine being married to that guy?’
‘Who?’
‘The Burger King voice-over bloke.’
‘I just wish they’d start the fuckin movie.’
‘Not many in the cinema.’
‘Its New Years Eve’
‘What do you wanna bet three basketball players will sit in front of us? -Actually it’ll be ONE basketball player and he’ll sit in front of you.’
‘Har dee feckin har. You’ve probably jinxed me now.’
‘With big ears or a hat you can’t see around.’
‘Shup - the movie is starting.’
‘Who is talking?’
‘You are’
‘No, its those two twonks down the row.’
‘SHUT UP!’
‘They can’t hear you.’
‘Shhhh!’

The twonks didn’t stop their conversation until about an hour in which drove me absolutely mental. However I eventually managed to ignore them and watch the movie. Which wasn’t THAT bad - except that I had read the book. I’m beginning to think I should stop reading altogether as Hollywood has a way of turning my favourite scenes into something unrecognisable - or cutting them altogether - and completely ruining the endings.

‘Based on Richard Matheson’s ‘I am Legend'’.

Very, very loosely based. The vamps looked like the creatures from The Descent with better lighting. Ruined New York looks great and for me - a self professed misanthropist - an ideal way to see the city. Smith is surpringingly restrained in his role - not a sign of a ‘HELL YEAH, that’s what I’m talkin’ bout mo-fo’ and plays the ’slowly going insane’ in a rather measured way. Although when he quotes the ‘Ogres don’t have any friends’ scene from Shrek it sort of beats you over the head with his feelings of isolation. On another layer Neville being able to identify with the monster could be a tip of the hat to the book - but it is over so quickly and so at odds with the conclusion that it seems more like a conceit of the script.

There are a number of such nods to the book which are never fully explored (or explained) and are then overshadowed by guns, explosions and mass carnage. This could have been an interesting character study - and been more truthful to the book - but anytime it looks like it may head that way Smith blows some stuff up and the movie returns to its cliched ‘all action all the time’ roots.

Don’t get me wrong I like a bit of crash - bang - wallop as much as the next guy - but where the book slowly builds to a crescendo of tension and horror the movie slaps you about the face with a block of C4. The dynamic of the statement ‘I am Legend’ is completely turned on its ear. William Goldman wrote* that in Hollywood you’ll never get an A-list actor to take a role that required them to be less than a hero, unless they were specifically cast as the villain. Such a pity, Hollywood might have more interesting movies.

Ultimately, there might be too much Will Smith in the role and not enough Robert Neville in that you are always aware that it is Smith who is on the screen. At one point during a highly charged scene I was more struck by the sight of the Fresh Prince with greying hair than what was actually happening to his character. Distracting. Although given that Arnie was originally penciled in for the role it becomes obvious that the makers were always looking for a big name for the poster.
With brief touches somewhat reminiscent of Danny Boyle’s zombie flick(s) this is more ‘28 Days Too Late‘ than ‘Omega Man’ - which itself was criticized for not being enough like the book.

As an actioner ‘I am Legend’ is pretty much typical of it genre and entertaining enough. As a faithful rendition of the book - a sci-fi CLASSIC… well, you’ll have to look elsewhere.

*It was either in ‘Which Lie did I tell Now?’ or ‘Adventures in the Screen Trade’. Also I am paraphrasing.

Movies, BewksDecember 19, 2007 9:41 pm

I was going to title this entry ‘Northern Lights’ in defiance of the renaming of the book for the Yanks - but having seen the movie I’m leaving it as ‘The Golden Compass’ so that it cannot be mistaken for the book.
Which may give you an idea of what I thought of the movie…

Not that I completely hated it - exactly. It was more of a sense of ‘Ohmygawdthatscoolwaitwhataretheydoingandwhyisthathappeningandstopitstopit!’

But I get ahead of myself.

Firstly the cast is excellent - a more A-list bunch of (mainly) British thesps you could hardly hope to see outside of LoTR or the Harry Potter franchise. Unfortunately the cast is wasted. The plot, the script, the EXPOSITION - oh my GOD the exposition.
‘Now Lyra, as you very well know we all live in parallel universes and in THIS one we wear our souls outside our bodies and we call them daemons.’
Not an exact quote from Derek Jacobi, but close bloody enough.
There were bits I loved. London from the airship - the perpetual motion machines on the carriages - the steampunkness of it all - Nicole Kidman perfectly cast as the cold Mrs Coulter - Lyra’s grubby face and defiant fear-nothing attitude, a pretty damn good heroine for young girls to aspire to - The Gyptians ships - and the exhilaration of seeing the plot points in the book right up there on the screen.
Trouble was, it was all so rushed. The movie comes in at just under 2 hours. It should be at least three. Lyra bounced from Oxford to London to Svarbald and her encounters with other characters - which in the books slowly opened her universe to the reader - became laughably coincidental in the movie. She gets chased through the streets of London and the Gyptians just happen to jump out and save her. Oh, have I mentioned the constant exposition? The Goth - who deigned to join our outing - opined that there was probably too much for someone who had read the books but not quite enough for him (who hadn’t) to make any sense of it. In addition the ending SUCKED - if they do get the funding for the next two books I have no idea how they are going to clean up the mess they’ve left. The Gin Lady wholly approved of the knitwear - but that was about the only nice thing she had to say that evening.
Overall one thumb down and one somewhere in the middle for the sake of the sterling cast - wholly underused and wasted in a film that could have been just as amazing as the book - if Chris Weitz - who I have just found out was responsible for the script of ‘Nutty Professor 2: The Klumps’ - had given the scriptwriting duties to someone else.

Movies, snapshotJuly 8, 2007 7:25 pm

So they did the usual thing of having a big flashing cursor where the password gets entered and if you want to blow up a house all you have to do is upload a virus but besides all the hollywoodification of the Haxxor side of things this is a pretty good movie. A bit cheesy in parts of course, but this is Die Hard we are talking about.

Bruce is showing his age a bit, but for all that he still drags his broken, bullet-riddled body through the movie beating anything in his path to death - leading me to surmise that the ‘Die Hard’ franchise is actually a series of zombie movies, cos seriously no-one could live through that amount of shit.

Timothy Olyphant is the bad guy and my, my hasn’t he aged well - although he appears to be channelling Tim Robbins throughout - which is still no bad thing. Justin Long (the Mac guy) isn’t bad as the side-kick and Kevin Smith is hilarious as the overweight-still-living-at-home-comic-con-loving-haxxor geek. There’s a bit of parkour, a bit of humour and a lot of explosions and fighting.

I’m not going to give away any spoilers here - because think about it, it’s Die Hard - what do you think happens? I’ll just leave you with this inspired tribute to the franchise (now with added 4th verse!)

Everybody sing:
‘We’re gonna die (die) die (die) die (die) DIE HARD
We’re gonna die (die) die (die) die (die) DIE HARD
Yippee kayay! Mother fucker!!
Yippee Kayay! Mother fucker!!’


MoviesMay 16, 2007 12:49 pm

One word:
Gorefest.

Ok, actually I’m going to have to expand on that.
FUCKING GOREFEST!

That better?
For those who haven’t figured it out, I’m talking about the sequel to 28 days later. It’s not as good as the original because by now we are used to the superfast zombies and this film continues in that vein. Theres also an underlying political message that’s writ large in very broad strokes that made me turn off the brain and try to ignore whatever the director was trying to put across.

But the first 15 minutes are worth the price of admission alone.

After that we’re into plot and exposition territory - but not too much as its not long before all hell breaks loose again. The gory scenes are incredibly visceral - especially sitting five rows from the front. One scene about half an hour in had me hiding behind my hands, but that couldn’t block out John Murphy’s score. ‘In a Heartbeat’ thrums mercilessly thoughout, getting deep into your blood.
It is (as with the original) filmed digitally and the jump-cuts and slashes can be almost headache inducing on a big screen.

There are a couple of ‘what the…’ moments that lie like huge gaping holes in the plot, but soon enough someone is ripped to pieces by ravening hordes of the enRAGEd so you forget about it. The cast is fairly unknown - the exceptions being Harold Perrineau (Micheal from ‘Lost’) and Robert Carlysle - but strong enough for it. The yanks aren’t overpowering and the kids are good without being cloying. London is once again amazing - and you are left wondering how the hell they managed to film so many landmarks completely deserted?

Overall pretty enjoyable - turn off your brain, ignore the political shit and enjoy the gore.

Movies, BewksMarch 25, 2007 9:58 am

Those of you who know me are aware I have an interest in fairy tales. Old ones, new ones, the original versions, etc. I’ve got an entire shelf of books dedicated to fairy tales. So, while this is a rather modern tale it is by one of my favourite authors and I can’t wait for it to finally be released:
Stardust - the trailer