Personal, booze, gigzSeptember 2, 2008 9:57 pm

The Good
The food - Not just a bloke in a burger van. Gourmet burgers, homemade pies, burritos, chunky chips, crepes, roast pork buns, falafels, chicken teriyaki, yum!
Secret toilets - flushable loos! With HOT water and mirrors and soap and CLEAN! Down beside the comedy tent if you missed them. We only found them on Saturday night.
The music - too much choice!
Body and Soul - what a fantastic area
The Atmosphere - chilled and friendly and safe. Lots of people wandering by themselves to various gigs, but no-one was really alone if you know what I mean. People didn’t look askance at you if you started a conversation or butted in to theirs. Lots of chatting with random strangers.

The bad
Toilets - the porta-loos in the festival area were only pumped out ONCE a day. By 6pm they were mingin’. As for the ‘troughs’ in the campsites they were virtually unusable for the entire weekend. There isn’t a word to describe how disgusting they were. This REALLY needs to be sorted out for next year.
Parking lot - traffic control after the festival was awful. There were only two tractors available to pull people out of the mud and everyone was being directed to ONE exit. Resulted in people sitting in cars for 2 or 3 hours not moving an inch. We heard of another exit that was ‘quagmire’ but took the chance and made it out to the main road in 2 hours.
Stewards - Not sure what happened, but the stewards were only given maps of the layout the night before electric picnic. Half the time you asked them something they apologised and were unable to provide any info. Would appear that organization and planning fell down somewhere along the way.
Rain - although we got lucky and it only rained the once. But that was enough as it BELTED down. I’d imagine a lot of people who had camped in the lower areas of fields ended up in their cars that night as there were a few tents that appeared to be floating.

But I don’t want to leave it on a bad note. Electric Picnic is a great festival, the bad things are all down to planning (except the rain) and if they fix it for next year it’ll be even better. I had such a fantastic time. There is stuff there for everyone, lots of music, lots of shows. Lots of places to chill out, or dance your socks off, or drink cocktails, or smoke from a hookah, or knit, or get a massage, or play dress-up, or take a yoga class, or learn the charleston, or watch a burlesque show, or make a yurt, or, or, or…

Personal, booze, gigz 8:51 pm

So some of you are thinking ‘Jeez, she missed LOADS of bands that I would have gone to see.’ And yeah you’re right, not only did I miss(catch) a lot of music there was also LOTS of performance art and other things going on - again this list is in vaguely chronological order.

Strange Fruit - ‘Spheres’ @ The o2 Blueroom. THIS was amazing, balanced on 4 metre poles above huge paper spheres lit from underneath they swayed and bent and literally flew. Actually just go here and watch the promo video for an explanation.
Silent Disco - silent disco tent. Two DJ’s, a pair of headphones and two channels to flick between. The only sound from outside was the crowd singing along.
Disco Fiasco - The Village Green. Possibly the worst disco I have ever been at and its deliberately done like that. Loads of fun.
Lost Vagueness - The Asylum. Some familiar faces from the Tassel Club here (Sarah and Miss Epiphany) and some just weird acts. We watched a guy dance on broken glass. The Asylum itself is as the name says. Furnished with hospital beds, medical chairs and other pieces of ‘equipment’ - the ketamine simulator proved of especial interest to some of our party. At different times people in doctors and nurses outfits would abduct people from the dancefloor, tie them to a bed, stick a leather strop in their mouth and whip them. Normally you’d have to pay for treatment like that.
Lucent Dossier - Dolab stage in Body and Soul. Burlesque ballet set on a pirate ship by men and women dressed like (dead) extras from Pirates of the Carribean. Stage was set in about 5 inches of water, I assume it was warm as the nights were cold. We went to the 2.30am show. Utterly fabulous stuff.
Lovely Girls\Lads competition - The Village Hall. Just like Father Ted. Lovely girls, Lovely lads, Lovely Garda, Hunky Priest, Nosy Nun, etc. The villagers were great, they stayed in character for the entire weekend.
The Carnival - They had CHAIROPLANES! I hadn’t been on them since I was 12. Sooo much fun. Also an old style carousel where we met a couple of bananas.
Tower of Truth - this was supposed to be burnt at 12am. However the gards moved the barrier out for safety and it was delayed till 2am - the rain started at 1.50am.
The tower once it was eventually lit took about 45 minutes to burn and fall, we were soaked through by the end of it despite my poncho.

Once again I haven’t mentioned lots of stuff: the Chai bar where we were too late to get a hookah and smoke some shisha. Chilling on a bed in Bollywood. Knitting with some of the Gin Lady’s friends in the Zen Garden. Drinks in the SoCo bar and the wee Mardi Gras parade (I’ve got enough strings of golden beads to make a half decent Mr T costume.) Bacardi and cranberry in the sun at the Bacardi B Bar. Many, many, many pints of Heineken. Swinging in the hammocks in Body and Soul, watching the waterfall in the Dingly Dell, drinking Miz Rabbits champagne bought for 15 quid in Tarts&Tease, Y’s vodka with the weird twig\herb in it, swigging wine from a milk jug…

Creative, booze, geek, gigz 6:33 pm

I’m going to have to do this in a few parts. I’ll start with the gigs anyway, links where I can find them. So chronologically beginning with Friday:

Christy Moore - Crawdaddy. Absolutely jammed. Couldn’t even get in to the tent, listened from outside. He should’ve been a main stage act, or at least Electric Arena.
The Presets - Cosby tent. EXCELLENT set. The tent was jammed and lots of energy. Myself and the barfly danced our socks off.
Goldfrapp - Main Stage. Good crowd, pretty good gig, Previous gig I’d been to (in TBMC) had been their first ever and she basically just sang ‘Velvet Mountain’ - nice to see her engage with the crowd this time round.
Digitalism - Electric arena. Loud and bangin’ German electronica.
Sigur ros - Main Stage. Have seen SR almost every time they’ve played Dublin, so nothing new here. Others rated it great, I thought it was ok.

Saturday
Liam O’Miaonlai - Main stage. We were too knackered and hungover to venture any further, so sat down for a bit when Liam came onstage. He was lost here by himself, lot of world music type stuff - only really came alive when he was joined on the last song by the Discovery Gospel choir and Ronan O’Snodaigh to sing ‘Bright sunshiny day’. Should’ve been swapped with Christy Moore.
Midnight Juggernauts - Electric Arena. AWESOME. These guys look like rockers, play electro-synth and sing like angels. The drummer is a total madman, the two lads in front switched from guitar to synth to guitar to ‘nother guitar sometimes all in the same song.
The Kills - Crawdaddy. Angry chick on stage with shoegazy type bloke on guitar. She reminded me a bit of Juliet and the Licks mixed with Chrissie Hynde. Only stayed for a few songs.
Duffy - Main stage. Not really my cuppa. Was walking past so stopped for a listen. I only really know her big single, the crowd seemed to be enjoying it though.
Elbow - Electric Arena. THIS WAS EXCELLENT. A lot of people around me hadn’t heard them before and thought it a bit mellow, but its what he does. LOVED it, they finished with ‘One Day Like Today’ (what else COULD they finish with eh? Just have a listen to it and tell me it doesn’t put a smile on your face.) Bumped into my workmate at this one - his comment ‘Didn’t know if it was you, but saw hands clapping in front of me and recognised your rings.’
cut copy - Cosby. Oh dear, I can’t even remember this gig. Their album is good though and I know I was looking forward to seeing them.
Milosh - Body and Soul arena. Very laid back tunes, sweet voice, nice to chill out to.
Donal Dineen \ David Kitt - Body and Soul arena. WHEN did David Kitt decide he was the new Orbital. ‘This ones got a groove’ he says. Seemed to be trying to ‘rock out’ a few times, which was a bit cringey as well. Brought his baby bro up on stage to sing - apparently they are in a new band together.
Pete Bennet and The Love Dogs - The Asylum. Yes that’s right - the bloke from Big Brother with tourettes. He came onstage in a wheelchair tied in a straightjacket and wearing a tutu. Not bad tunes, had a decent crowd and got them going. The Asylum was great, I’ll talk about it more in next post.
unknown band - The Time Machine. No idea who these guys were but they were great. Lead singer was dressed like a dead undertaker, and sang like Tom Waits. Lots of girls in the crowd dressed in a similar fashion with pale faces. They did an amazing version of Tom Waits ‘Way Down in the Hole’. (Also the theme to The Wire) Edit - thanks to the guys for commenting the band was ‘Johnny Cage and the Voodoo Groove‘.
Helios Jive - Dolab stage in Body and Soul. Don’t remember much except dancing to keep warm.

Sunday
Sinead O’Connor - Electric Arena. Very mellow with signature wailing. Didn’t stay too long - the high notes irritated my hangover.
Michael Franti - Main Stage. Absolutely AMAZING. The Roots showed up on stage at one point to sing along. I completely buggered my knee at this one with all the ‘I wanna see everyone jumping’. The barfly complained as he played all his new stuff, I thought it was great. Miz Rabbit (who I met later) went to see him play the body and soul stage later in the evening as well and said she thought his main stage appearance was better. Joined on the last track ‘Say Hey’ by the Lucent Dossier dancers. Magic.
The Roots - Main Stage. Good stuff.
Grinderman - Electric Arena. Nick Cave (and some of the Seeds) new project. Everyone raved about it, but didn’t rate this myself, could just be the mood I was in by then (knee was aching.) Love Nick and the boys but wasn’t taken by this at all.
My Bloody Valentine - Electric Arena. O Mi GAWD! 16 years I’ve waited to see them play. Someone told me the gig was louder than a jet taking off. I was right at the front. 18 minutes of pure noise on the last song (I timed it.) Came out completely deaf, and with knees completely gone (after jumping at Michael Franti the shoegazing just finished me) but THRILLED. Met blather with his camera (some of his photos here.) Too noisy to even speak to each other.
Sex Pistols - Main Stage. Unfortunate enough to be eating on the hill above the main stage so heard the vitriol and spew from wanker onstage. Thankfully still partially deaf so didn’t have to hear too much. Odd choice for headlining gig at a festival like EP where everyone is chilled and friendly.

So that was the gigs - at least those I remember. There was lots of other stuff I stood outside the tent for a song or two on my way to another gig that aren’t included here: Cathy Davey, Gemma Hayes, Get Cape Wear Cape, Dan Deacon, Turin Brakes, Wilco, Jape, Grace Jones, etc. And FAR too much that I missed.

gigzDecember 8, 2007 12:03 pm

Tommy Tiernan
Vicar st - Dec 6 2007

Is this what comedy has come to in a Politically Correct world?

Not funny - he even admits that if we want to hear something ‘witty’ we should go and read Wilde - but shocking. And to be honest not all that shocking. This is nothing you haven’t already heard done by other comedians, or down the pub some night when inhibitions are down and people are drunkenly rambling. Tiernan brings it to the stage - the shocking thing here isn’t the ‘jokes’ he makes (nor the price of the tickets) but the fact that he is SCREAMING at you.

Tiernan bounces around the stage shouting and eventually working himself up into a RANT with his oddly shaped stories - half finished, mostly forgotten and full of tangents. At one point he begins telling us that humans used to be trees and blackbirds and flowers and everything on the earth is connected.
‘I breathe out and my breath goes in your feet and up into your chest. We’re ALL F’ing CONNECTED. HUMANS WERE ONCE TREES, that is FACT. We walked into the church away from the blackbirds, but there wasn’t room for all of us. Patrick called us in to listen to his bell -BONG!- and we turned our back on Oisin. We should have brought the church outside to the trees.’
Later he stands at the edge of the stage softly muttering ‘Godbewithyou, Godsaveyou, Godbewithyou, Godblessyou’ for what seems an eternity.
‘Now doesn’t that sound more pleasing than’ and here he takes up the stance of a priest on an altar arms outstretched, his voice pitched high and nasal twang ‘And on the 3rd day he rose again and again and again and he was up and down every three days…’
The audience laughs. I don’t get it, is it a joke or is he trying to convert us all to Druidism?

He likens the auditorium to a Bus. ‘The Comedy Bus’.
‘I’M THE DRIVER AND YOU’VE PAID ME FOR THIS RIDE. YOU ARE GIVING ME PERMISSION TO TAKE YOU WHEREVER I WANNA GO. HANG ON FUCKERS. THE BRAKES ARE OUT, YOU’VE THROWN OFF YOUR SEAT BELTS AND WE ARE PROBABLY GONNA CRASH.’

He has been villified by the press ever since he first shat all over RTE’s Holiest of Holy’s namely The Late, Late Show aka Uncle Gaybo’s Olde Time Family Hour.* And like all good self-publicists he revels in it.
‘Are there any tabloid journos out there?’ he screams. ‘Well here’s the Down Syndrome bit.’
And he then (I have to admit it) does a piece that is indeed quite witty, despite his protestations that he doesn’t ‘do witty things’. Yes, he imitates the mannerisms and speech of a person with down syndrome. But in the end you begin to wish you could meet this character he has created. Because they think he is as big a prick as the rest of us and he comes off looking the fool in this piece - and then:
‘Why doesn’t anyone talk about the girl who was raped and wasn’t allowed to give evidence in court because she had downs syndrome? Why doesn’t Joe F’ing Duffy have THAT on his F’ing show?’
The crowd goes into a frenzy of applause. I can understand what he is saying - yes, these kids should have the same rights as any citizen of Ireland, but he’s preaching to a bunch of drunks. This is not a ‘comedy bus’ - it is Tiernan’s personal church.
Some drunk in the row behind us who has already spilled his beer all over us shouts ‘SLAG THE PRIESTS’
‘We’ve had enough of them’ says Tiernan dismissively. ‘We’ve given them five or six hundred years already.’

He tells us that he’s clean, he’s off the drink and the coke.
‘Why did you stop?’ someone shouts out, trying to outfunny the funnyman.
He stares hard at her. ‘ARE YOU F’ing MAD? DO YOU REALLY HAVE TO F’ing ASK ME THAT? YOU KNOW IN THE DARKEST PLACE OF YOUR MIND THE REASONS I MIGHT HAVE FOR STOPPING. YOU NEVER ASK SOMEONE WHY THEY F’ing STOPPED.’

The rest of the performance is as you would expect. Crude and vulgar and ranting. He reams the front few rows of the audience a new ar£se hole.

The Ross O’Carroll Kelly-alike who is recording the show on his mobile phone:
‘DID YOU NOT HEAR THE F Ing ANNOUNCEMENT BEFORE THE SHOW YOU F’ing PRICK? TURN OFF YOUR F’ing GADGETS. REWIND THE TAPE! I’M UP HERE TRYING TO TALK TO YOU, NOT YOUR F’ing GADGET. YOU EVEN F’ing SMILED AT ME WHILE YOU WERE RECORDING IT. GIVE ME THE F’ing PHONE OR TURN THE F’ing THING OFF. YOU F’ing PRICK.’
To the drunk woman who spends almost the entire show shouting things up to the stage over his performance:
‘SHUT THE FUCK UP YOU F’ing WENCH! I’VE ONLY GOT ANOTHER 10 MINUTES AND THEN YOU CAN FUCK OFF BACK TO THE BAR. PLEASE, I’m ASKING YOU TO SHUT THE FUCK UP. TELLING ME YOU ARE GOING TO SHUT UP IS NOT SHUTTING UP.’
The girl in the front row who went out to the loo and then swanned back into the show, coming the long way across the front of the stage in the low cut top - who then got ‘insulted’ and ‘embarrassed’ when he screamed ‘BOUNCING JIGGLY JUGS RIGHT IN FRONT OF ME! OH HOLY GOD!’ and then spent 10 minutes telling her exactly what he wanted to do to her.
‘HAVE YOU GOT CHILDREN? NO?? SELFISH F’ing BITCH!’
She was in the bar afterwards swanning around with a supercilious smile on her face - Queen Jiggly Jugs. Her friend - who tried the same manouvre about twenty minutes later, but due to her high necked t-shirt got no love from Tiernan - is relegated to the status of Handmaid.

At the end of the show all of those whom he had insulted were the ones to give him a standing ovation. Thrilled that they now had a story to tell in the pub, their own personal red-top banner.
‘TOMMY TIERNAN REAMED ME IN FRONT OF A THOUSAND PEOPLE.’

And that’s what struck me. The audience weren’t laughing because what he said was funny - although the drunks behind me might not agree. It was the laughter of a crowd who didn’t know what else to do.
‘Oh F, is this what we’ve become? The lowest common denominator.’
And for those who were pierced by Tiernan’s vulgar arrows:
‘Look at me world, I’m SOMEBODY - Tommy Tiernan spat bile all over me.’

Tiernan’s ‘comedy bus’ gave the people in the auditorium the ‘freedom’ to laugh at things that society says we shouldn’t be laughing at. Like the bold kids at the back of the class, sniggering at the teacher’s laddered tights and over-rouged cheeks.

*The first time Tiernan appeared on Ireland’s longest running television show ‘The Late, Late Show’ his set included a joke about the Lamb of God - being an actual Lamb that bounded round the field full of its own self importance because it was a lamb that had been chosen by God. This outraged holy Catholic Ireland and the next day the national papers ran with the story that he was to be sued for Blasphemy.

Personal, Gonzo, booze, gigzSeptember 21, 2007 10:07 am

@ Whelans the Village.

The email was terse as usual. It was an order, not a request.

‘Mick Harvey @ Whelans tonight.
The Barfly is back!’

It had been a while since I’d seen the oul souse, so I agreed to meet him at the bar. He was propped up in the window leering at the passersby.
‘Get down outta that, or the manager will be over to bar us for scaring off his customers.’
As it happened it didn’t much matter, the place was empty - a building site actually. The gig was moved next door to the Village.
‘Sure we’ve plenty of time, lets have another beer.’

I needed beer, the last time I was in the Village I’d been to see Warren Ellis - another of the Bad Seeds - with the Gurrier and his troops. The venue still held bad memories for me, images of the Gin Lady mixing cocktails, and that thing hidden in the Bastard Kesey’s trousers. I shuddered and kept drinking.

By the time we managed to crawl upstairs it was standing room only.
‘Ya fuck.’

I got more beers in and the Barfly disappeared into the dark shadows. Fucker was always doing that, leaving me standing with two pints. A familiar shape loomed in front of me. Blather and his missus, figured they’d be here. It was exactly the sort of seedy shithole they liked.
Blather was babbling, I couldn’t make out what he was saying. Snatches of sound from his lips ‘Fortean…’ then ‘Apocalypse’ and finally ‘Paddy Casey’. This last with tears in his eyes.
‘What about Paddy Casey?’ I ventured.
‘He gives me a pain in the bollix.’
‘Ahhh, Um.’
I turned away for a bit, waiting for him to leave of his own accord - grown men shouldn’t cry over half-rate singers. On stage there was a girl with a guitar.
‘Christ, not another one.’
But then she started singing and we all fell in love with her a little bit.
‘Fuck me’ said the Barfly who had appeared at my shoulder.
‘No thanks’ I replied.
‘No, I mean her, she’s fucking AMAAAAAZING.’ His eyes were twisting in their sockets, rolling like a galleon on the high seas.
‘What’ve you taken?’
‘Nothing, I’m in loooooooooooove.’
I’d seen him like this before and in the past it had never turned out well. I bought more beer, in an attempt to get him so blind drunk that he’d be unable to storm backstage and accost the poor girl.
‘Want More’ chanted the Barfly.
‘Shuddafuckup, Micks coming on stage.’

Half an hour into his set I was singing and dancing around. The Barfly was in a strop.
‘Want the girl’
‘What have I told you before? You can’t HAVE the girl.’
‘Not fa-eeeeeeeeeh!’ as he stumbled across the floor and fell crashing to the ground. Behind him the Goth stood in an old ratty coat.
‘Answer your goddamn phone!’ he shouted. ‘I’ve been sat next door for the guts of an hour.’
The Barfly grunted, pulled himself up extracted a shard of glass from his hand. He was covered in beer and broken glass.
‘What’s that on your face?’ I asked, trying to quell the impending violence.
‘What?’ said the Goth pulling at his cheeks.
‘That… thing? Is it… fuck me… is that a smile?’
‘Uh yeah. It’s new do you like it?’
‘Eh, I’ve seen better.’

An hour and numerous pints later the band finished up.
‘That was great!’
‘It was very samey, not enough Bad Seeds’ said the Barfly.
I was too drunk to get into a fight with him about it.
‘Going home now.’ I said and stumbled down the stairs.
Behind me the Goth and the Barfly were making plans to sneak backstage and kidnap the girl. I left them to it.